Saturday 18 October 2014

“Frank” Review

Year: 2014

Director: Lenny Abrahamson

Writers: Jon Ronson, Peter Straughan

Stars: Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal

This movie follows the journey of Jon, portrayed by Domhnall Gleeson, who is searching for his place on the music scene and in life in general, when he happens to play keyboards for Frank’s band with unpronounceable name “The Soronprfbs”. He’s fascinated with Frank, not just because of the fake head he’s wearing all the time, but his musical talent and mysterious personality.

Frank Sidebottom, Captain Beefheart, Daniel Johnston are among the musicians that inspired the movie. However, you can enjoy the story even you haven’t heard these names. Jon Ronson, one of the co-writers was actually part of Frank Sidebottom’s band, but the screenplay, initially based on his publications, later became an absolutely fictional story. And Peter Straughan is already an established name with Oscar nomination for “Tinker Tailor Soldier Spy”.

In the trailer and promotional clips for the movie, we have heard probably the weirdest parts of the score, but in fact, the soundtrack provides some really exceptional, even profound songs. The fictional band in the movie does feel like a real band and the songs (written by Stephen Rennicks) have a fresh, unique sound. What makes it feel so organic and special is also the fact that it was recorded on the set by the actors (the drummer is actually a pro musician –Carla Azar from the band Autolux).

The movie is original and unpredictable, without it seeming forced or simply random. It really gives you the sense that everything on the screen happens organically and that you are observing the creative process of this band consisting of unique, intriguing characters. The little narration in the movie is given to us via social media posts, which is not simply convenient, but questions how we use these tools to represent ourselves and particularly how it affects the creative process.

“Frank” plays with our preconceptions about musical genius and madness, it questions what is to be truly unique and creative, rather than simply mediocre (as one of the characters puts it “There can be only one Frank”), how do you stay true to yourself and your music etc. The movie beautifully draws both intense and quiet scenes that can be really profound at times and constantly increases our interest in the characters.

The directorial work is outstanding; all performances are absolutely great, starting from Maggie Gyllenhaal’s extreme and magnetic role to Michael Fassbender’s undeniable talent as comedian, who also manages to create a moving and intriguing character without even showing his face.

“Frank” is a genuinely funny piece of cinema with a lot of laughs along the way, but it’s not only a comedy, it maneuvers between emotions effortlessly, mixing humor and drama to create the engrossing atmosphere of a great tragicomedy. By the end “Frank” becomes an absorbing and poignant piece of movie-making. It is not easy to compare it to anything else and it’s full of energy, wit and wonder. It deserves 5 full Kubricks. 




“Frank has” 93% from critics on RottenTomatoes - http://www.rottentomatoes.com/m/frank_2014/


6,8 from users and 75 from critics on MetaCritic - http://www.metacritic.com/movie/frank

Trailer:


And one of my favorite songs from the movie (I guess it may be considered a minor spoiler): 


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